The Menu

The Menu is a sharp, darkly satirical thriller that blends psychological tension with biting humor. The story follows a group of privileged diners who visit an exclusive restaurant on a secluded island, only to find that the experience is far more intense than they anticipated. The plot is well-paced, keeping the mystery alive while gradually increasing the unease. It balances its social commentary with an engaging, almost theatrical structure that makes every course feel like a performance in itself. The direction by Mark Mylod is precise, with every scene meticulously crafted to build tension. He knows exactly when to hold back and when to push the intensity, making the film feel controlled yet unpredictable. The cinematography is stunning, with an almost clinical beauty that enhances the eerie atmosphere. The way the food is presented is almost too perfect, mirroring the precision of the restaurant itself. Every frame feels intentional, elevating the film beyond a simple horror-thriller setup. The acting is one of the strongest aspects, with Ralph Fiennes delivering a chilling, captivating performance that demands attention. Anya Taylor-Joy is fantastic as always, bringing both vulnerability and resilience to her role, making her one of the most compelling characters on screen. The supporting cast does a great job of embodying different aspects of elitism and entitlement, making the ensemble feel dynamic without any weak links. The script is sharp, filled with clever dialogue that keeps the tension high while delivering dry, dark humor that lands well. The score adds another layer to the experience, subtly enhancing the unease without overpowering the scenes. It blends well with the sound design, making every little detail, from the clink of silverware to the deliberate movements of the staff, feel heightened. The film does a great job of making you feel like you're sitting at the table, absorbing every moment of the experience. Overall, The Menu is a well-executed, visually striking thriller that knows exactly what it's serving, and it does so with precision and purpose.

The Menu starts with an intriguing idea, but don't get your hopes up—it becomes painfully predictable almost right out of the gate. You can see the ending coming from a mile away, and those so-called "twists"? Yeah, they land with all the excitement of a damp napkin. The only saving grace is the fantastic cast—Anna Taylor-Joy, Ralph Fiennes, and Nicholas Hoult—though even they seem to be phoning it in. It's honestly tragic how little they're given to work with. The film's popularity must be riding entirely on their star power, because of the plot? Let's just say it doesn't bring anything fresh to the table. Overall, it's a real letdown, especially with wasted talent like that, leaving a disappointing impact.

The Menu starts with an intriguing idea, but don't get your hopes up—it becomes painfully predictable almost right out of the gate. You can see the ending coming from a mile away, and those so-called "twists"? Yeah, they land with all the excitement of a damp napkin. The only saving grace is the fantastic cast—Anna Taylor-Joy, Ralph Fiennes, and Nicholas Hoult—though even they seem to be phoning it in. It's honestly tragic how little they're given to work with. The film's popularity must be riding entirely on their star power, because of the plot? Let's just say it doesn't bring anything fresh to the table. Overall, it's a real letdown, especially with wasted talent like that, leaving a disappointing impact.