Good Will Hunting

Psychological drama well in the beginning of Ben Aflleck and Matt Damon in their careers - they star (with Matt in the role of the protagonist) and wrote the script together. The director was Gus Van Sant (Drugstore Cowboy). The movie tells a story about a irish-descendant boy in Boston that works as janitor in a mathematics faculty, and it is a self-taught genius, with a troubled past and present - some mathematical riddles are left by the head of the chair in the faculty (Skarsgård) and mysteriously solved by night. Catching up with Matt Damon character Will he can be out of parole if he gets a job and consult with a psychiatrist what shows to be a tid bit tough thing. The film received positive reviews from critics and grossed over $225 million during its theatrical run against a $10 million budget, and received nominations in nine categories, including Best Picture and Best Director, and won in two: Best Supporting Actor for Williams and Best Original Screenplay for Affleck and Damon. Nothing bad, at all for someone being just out of Harvard University. Anther curiosity: character Skylar in the movie have the same name and background of Matt Damon's girlfriend back then. Robin Williams acts as the psychiatrist that could connect with this troubled boy, in a solid role - speaking of solid role it was nice to see Matt Damon out of some action movie in really nice drama scenes. Another actor that shows up is Stellan Skarsgård, yes the father of the four sons the most known being Bill (of "It"). Nice heartwarming moving movie thought the end with a solid script. I would scorre it a 8.0 out of 10.0 / B+. It is strange that I didn't even reminded this one back in 97, but then I remembered that that year I was in the 3rd year of Medicine so not much time to seeing movies I guess.

**A very good film, but with some flaws and problems that deserve attention.** This film is about a boy from Boston, who comes from very poor backgrounds, but who has a gift for mathematics, easily solving theorems and advanced problems that leave Harvard professors unanswered. He is discovered after solving one, at night and without telling anyone, and one of the professors at the university decides to help him be someone and make use of his gift. The problem is that he doesn't want to, he's not able to trust anyone, and he's seriously stuck with justice. Therefore, he will recruit an irreverent psychiatrist to try to help the boy. The film's premise is very good, and the story has merits that we cannot ignore or minimize. It's one of those delicious movies to watch, that leaves us without feeling the time that passes. We really know that guy is not a bad person, but it's not easy to like the character due to his options and his bad social attitude. However, what bothered me the most was the construction of Robin Williams' character and his whole way of acting and accompanying that patient. I think anyone who has ever had the need to see a psychiatrist knows that they have strict rules about what they can and cannot do, and Williams' character breaks a good number of them. And this leads us to talk about actors. I really enjoyed Williams' work, but he is a long way from the best that the actor has given us. Matt Damon also did a good job, perhaps one of the best of his career, and one that opened more doors for him in his professional life. Stellan Skarsgard also intelligently took advantage of the opportunity to impose himself on the American cinematic scene, with a job well done and of great merit. Minnie Driver also did an interesting job, perhaps even more so than Ben Affleck, whose character doesn't have as much visibility or relevance. Technically, the film has many merits, starting with the excellent cinematography, a good set of sets and interesting costumes. The effects are understated, but they work quite well, and the soundtrack also does a pretty good job. It is not, however, a film that stands out for its technical aspects, nor could it be. The important thing in this film is the story it brings us and the work of the cast.

"Will" (Matt Damon) is a rudderless character who works as a caretaker. He's an attitudinal pain in the neck whom, aside from his best friend "Chuckie" (Ben Affleck), is pretty much shunned by everyone. "Professor Lambeau" (Stellan Skarsgård) spots some potential in this wayward lad, especially when he realises that he has an amazing ability to solve mathematical problems. To that end he sends him to see the eccentric psychologist "Sean" (Robin Williams) who proves remarkably adept at cutting down the young man's defences and at beginning to rebuild the character of the man in a more positive and life-affirming fashion. The film combines some excellent performances from all four men, but especially a bang on-form Williams as the penetrative, but flawed, route to salvation for an equally flawed and angry almost younger version of himself in the genius "Will". Damon is entirely convincing as his temper and his prodigious nature are juggled adeptly and aided by a powerful script that allows the actors to take and keep centre stage as the potency of the plot becomes more and more focussed, we are presented here with a ground-breaking and thought-provoking look at what makes a great teacher as well as what makes a human being tick, what makes one happy and fulfilled - and what makes one the opposite! For my money, Gus Van Sant's finest interpretative work and well worth watching a few times, for more detail emerges to appreciate each time you see it.