Dead Poets Society

"Dead Poets Society" never endeavours to sweeten the bitter pill of disappointment or tragedy by playing to whatever cliched expectations you might have. Neil's father Mr. Perry isn't going to suddenly relent and admit what a stupid and selfish fool he has been and then decide to change his uncompromising viewpoint in relation to his son's disputed future. He actually becomes even more entrenched in his stubborn determination that his son will live his life the way he wants it lived. However, this film isn't content to end on such a desperately dispiriting note as Neil's tragic suicide, so it returns to the original stance championed by Keating throughout when some of his now former students stand on their desktops in an act of defiant solidarity and also as a final salute to their departing captain. They now have the potential to see life from a completely different angle than the rest of us because of him and that is precisely what a solid education is supposed to do. It is the precious gift of being able to think and reason and draw intelligent and well informed conclusions for yourself on any number of various subjects.

The (very absurd) point of view of the rich people about freedom. The Movie is so pathetically formulaic that it makes you want to throw tomatoes at the screen. The Horatian ideal, of Stoic-Epicurean origin, of a life enjoyed in the good it gives us, even if it is little, is here often repeated, inaccurately, as an invitation to live joyfully. And it makes us laugh and reflect even more that it is observed from an "even higher" point of view than the already very high social class of the characters.

Robin Williams ("Keating") arrives at an all boys school where he is to teach them English. As you'd expect, they weren't particularly interested, but when he begins by telling them to rip up the poetry manual, and continues with an inspirational and vocational approach the pupils start to engage not only with him, but they set up the eponymous club which helps each of them to develop as a person. This is quite a task for the shy young "Todd" (easily the most effective performance of Ethan Hawke's career) and for aspiring actor "Neil" (a terrifically measured and sincere Robert Sean Leonard) who is struggling to reconcile his own desires with those of his loving, but over-bearing, father who wants him to go to Harvard and become a lawyer. This is a terrific character based drama with Williams on great form, but he features quite sparingly - the thrust of this potent, funny and thought-provoking narrative rests with the young men. Their ensemble effort exposes a myriad of layered teenage foibles from trauma to Tennyson; Shakespeare to sex (or sax!) - with well written and delivered dialogue that focuses poignantly and cleverly on their maturing personalities. This film is highly recommended.